We're playing at Mother's on Wednesday. Git there.
Here's the whole guitar after I finished getting it all set up, homestyle. The body and neck are maple with a rosewood fingerboard, according to the 1930's Slingerland catalog I downloaded. It has a huge sound for a tenor- super loud and mellow at the same time.
Since the guitar was missing its bridge, I decided to just make my own rather than pay $25.00 for one on line and then wait a week for it to get shipped to me. I hand-shaped a block of "poor man's ebony" (poplar colored with black Sharpie) to match the profile of the arch top. I cut a kerf in the block, glued in a plastic saddle, and slid it under a new set of strings. The intonation is pretty good... way better than I expected, and I think the bridge fits the overall look pretty well. The action is great, actually- better than many of my other guitars despite the well worn frets, and the slight bow in the neck doesn't seem to matter at all.
The tailpiece is original, which is rarer than you might think; it reads "Slingerland Chicago, USA." I thought about taking a bit of steel wool to the rusty spots, but I kind of like the tarnished look.
Finally, I fixed the neck (sort of) by installing a trim head screw to pull the neck back into its original position. This took care of some of the side to side wobble as well, and the string tension did the rest- the neck is solid now, and I see no reason it won't stay that way. Thanks to my wife for a fantastic birthday present/awesome afternoon project! I can't wait to play it with the boys tomorrow night.
G, I figured it might be time to make my first authentic bottle neck slide. It was easy- all I had to do was find my glass cutter and chug a bottle of 2 Buck Chuck real quick. First, I scribed a line around the base of the neck. I ran hot water over the scribed section for a couple of minutes and followed it with cold water. Then I tapped the neck gently with a mallet and it broke right off. I finished it up by grinding the sharp edges down on the sidewalk (old skool, yo) and then polishing them with 100 grit sandpaper.
Today I finished the Ammo Can Guitar I've been working on. It's not as polished as the JR tenor, but it's got an amazing range of tone. I didn't run the neck all the way through this time, gambling on my ability to firmly mount the neck to the body, and it payed off. I think it's maybe a sixteenth out between the head and the end of the fretboard, but it doesn't seem to make any difference, and it holds tune just fine. This was my first foray into the world of fretting, but it was easier than I had thought it would be- just a pullsaw and a hammer and some fretwire. The key was using
a square to guide the cut. I laid out the fret positions using my '75 Harmony 3/4 scale acoustic as a template- the scale is 21.5" from nut to bridge. The hardest part was getting the bridge angle right so the intonation wasn't off... that took a couple hours of trial and error, and I ended up having to shim the nut with a jigsaw blade (whatever works, right?). I keep learning new things about the instrument the more I play it- for instance, I just discovered that if you turn the latch on the box lid by 180 degrees, it creates a rattle that sounds just like someone turned up the gain. It's natural distortion- amazing! And, since it is still operable as an ammo box, I can keep any number of things in it during shows: extra picks, a whole microphone as a pickup, or, best of all, 2 inches of ice and three cans of beer. Best Instrum
ent Ever.
So here it is, finally! The Jonny Reb Tenor CBG, all strung up and ready to go. It's not the loudest guitar by any means, but it's got a really distinctive tone that I can't quite place... something between a crappy cello and a nylon string guitar you'd buy at the Tijuana border crossing. In other words, perfect. I originally wanted to put frets on it, but I kind of like it fretless now that I've played it. Also, due to the 19" neck and the strange bridge position, the first few frets would be pretty massive. It's playable though, so I'll either burn in fret markers once I figure out exactly where they are, or I'll just put cheater dots on the side of the fretboard. I think I might have to install ferrels where the strings come out of the tailpiece since they are digging in more than I thought they would, and I think it's causing the strings to go flat, but other than that, my design works pretty well. I strung it GDAE, tenor style. I have to admit that I was pretty sure the whole thing was going to explode or shatter or something when I was tightening up the strings, but it held together just fine. Next post will involve a video or recording of me playing it. 






Ok, so I lied. How could my bike be finished without the addition of a skull to the rack? The best part is that with a strategically placed rear Frog light, the whole thing glows red at night, putting me in compliance with city mandated bicycle light requirements. I completely forgot that I had this skull until the other day when I found it in the geraniums (why was it there?). It used to be mounted on the fabled Pirate Bike (RIP), and it joins the Shimano 333 shift levers (also left over from that bike) for another shot at glory here! I rode the bike around town last night and got some strange looks from a cop and an enthusiastic "oh sweet" from some little kid with an ice cream cone. YARRRRR!!!!
The touring bike is finally finished, I think. Here are before and after pics. Today I finished mounting the ammo box panniers and cages. The only thing really left to do is re-adjust the rear hub that seems a little tight after my wheel randomly fell off while riding with the rest of the band to our gig last night. Fortunately I had a wrench in the backpack so I could at least get the wheel back on, but it was a scary experience none the less, especially on the way home, which involved an inebriated midnight sprint
down a pitch-black Foothill Ave with Ta Tas in the lead with his banjo and a cigarette and Rog weaving around the tiny bike lane pulling a trailer loaded down with my guitar and the upright bass. At times like that you don't want a sketchy rear hub! I'll fix it soon, though, and then I'm gonna do some short 20-30 mile rides in the next couple of weeks to try to get in shape to ride Hwy 1 from Monterey to SLO.
Next, I went down to the hardware store and bought some cable clamp U-bolts. These mounted easily to the rack stays; once they were secure I held the box where I wanted it to go, marked the position of the bolts, and drilled my holes. I used 2 U-bolts to secure the upper portion of the box- this turned out to be really strong, so I just drilled a couple of smaller holes toward the bottom and attached that section to the rack using heavy-duty zip ties.
I ran out of time to finish the other side, but I should be able to get it done today. The boxes are a bit smaller than I had envisioned (since I was originally going to use the more rectangular .50 cal boxes) but I really like how flat they lie to the bike. Plus I got them for $2.50 each at the army surplus store- saving myself a whole lot of money any way you look at it.
I will probably still buy a nice Trek bag to sit on the top of the rack, and I will need to somehow strap on my sleeping bag and bivvy sack, but if I need to I can always install a front rack too. For short trips, however, this is fast becoming a beautiful machine.
Last week we played the Templeton Chamber of Commerce mixer. The venue was a huge art studio/barn that Ta-Ta's (our banjo man) built a couple of years ago in the middle of a vineyard. There was a photographer taking pictures, so he sent a few our way; they came out real nice, and you can see them here. No mics, no PA, just old time acoustic instruments and a heavy case of throat jaw- the way it should be! Honey played her first show that night, and she was sweet as can be. Come out and see us at the Clubhouse in SLO on Thursday, July 23.
ars and brakes set up. This bike has been really fun to build. I'm proud of the paint job, which came out pretty nice considering that it's impossible to find an outdoor painting location in SLO that is free of wind at any time of day or night. Another highlight is the complete mishmash of components that have been commandeered to get this baby running. So far the list includes:
Last week I decided that I wanted a tenor guitar. I enjoy playing the mandolin in our band, but when it comes down to it, I'm no Bill Monroe. The tenor guitar is tuned in fifths like a fiddle in either C or G (the same as a mandolin). It has a nice tone that fits right between the guitar and the banjo, and it was quite a popular instrument during the middle of the 20th century, especially in country/americana bands. I put a 'wanted' add up on Craigslist one night, and the next morning I had an email from an old-timer in Cambria who
just happened to have one up in his attic. Turns out it was a 1961 Epiphone with a solid mahogany top and neck. I bought it for $100. I named her Honey, and she lives up to the name, although adapting my mandolin leads to a new instrument with frets four times bigger is a bit of a challenge. After some jamming with the band, I strung her gDAE. The higher G string where the low note should be takes some getting used to, but the inverted up-down rhythm that it provides is pretty cool sounding, as is the high drone note on open chords. See Honey in action on Saturday, July 11th in Santa Maria when we open for Monte Mills.
is, neither of us have a touring bike. He rides a beach cruiser, and I alternate between my hardtail mountain bike and my fix'd. Oh what a glorious problem to have! Today Dirty bought an nice older Trek set up for touring, and I dug around in the shed and found an old steel Schwinn frame that I bought for about $20 a while back. I hooked up a free Araya wheelset on Craigslist, and bought a Campy 34/50 nine-speed crank set on ebay. I have a nice wide set of Soma pursuits and a rear rack laying around somewhere too, as well as a bunch of random derraileurs, brakes, levers, etc. That leaves a pretty small amount of stuff left to purchase, so I'm hoping to do the whole thing for right around $150.
Before Hank was born I wrote him a couple of old-time songs about trains, and they turned out to be prophetic; he came flying out like a steam train out of a tunnel, big and heavy as could be. So now, four months later, I t
hough it was only appropriate to get a tattoo commemorating the event, and what could be better than an old locomotive? Jake at Traditional in SLO sketched up the design and did a fantastic job, especially on the shading. It's about 24 hours old in these pics, so it's still a bit swollen and red. Any red or purple is just leftover swelling- the whole thing is black and grey. It's hard to see in the pic, but the placard on the face of the engine says "HANK". Jake also did the tattoo just above. I highly recommend him if you're looking to get some work done.
es (23's) and replaced my old Fizik tape with some black RAV-X Wrap. I have never heard of this brand (the guy at Art's said it's newish) but I have to admit that I am sold on its comfort and affordability ($14). My bike looks like a bumble bee. It's never had an official name before, but now I'm thinking of something along the lines of Buzz!Kill! or Stinger, etc. I put about 10 miles on her this afternoon and, apart from a 25 mph headwind, everything felt great! It's nice to have new, good quality gear.
All the bike stuff I have been selling on Craigslist lately has started to pay off, and so I decided to invest in some new/higher quality components for the Peugeot. For some reason when I first built this bike about a year ago, I installed mountain bike pedals. They still work just fine, but I don't like how hard it is to get my feet into my clips because of the serrated cages. So after looking around for a while, I bought a set of Origin 8's in yellow, of course. These were relatively inexpensive (around $33) and after putting a few miles on them I have to say that I am pleased with their performance. They turn smooth and needed no adjustment out of the box, which is nice, seeing as how most other inexpensive brands seem to need an overhaul before you install them for the first time. Origin 8 makes pedals and cranksets in a ton of different colors, including this super sick "Anti-Freeze Green" color that momentarily made me consider changing my whole color scheme. The best prices I could find were at the Wheel and Sprocket online ebay store here. I also just ordered a set of yellow Weinmann Deep V rims with a track/track rear hub. Currently I'm riding a good, durable set of Windsors that I really can't complain about, but it was just time to make the upgrade if only for added style points.
fairness I love my '79 Peugeot more. So I decided to steal the risers and stem off the Azuki before I sell it. I made a trip to Art's to buy some Yellow Oury's and got a flat on the way. As I was fixing it, the tire lever slipped and my hand slammed into the pavement. I think I fractured my thumb- it's purple and swollen. Anyway, in the end I ended up with some really nice risers I can trade with my pursuits when I get the itch. I am also planning on upgrading the Windsor wheelset I am currently riding to matte black Wienemann Deep V's sometime in the next couple of months.
