THE GUITARS: FENDER TELECASTER

THE first thing I needed, when I joined the band was, obviously, an electric guitar. I haven't owned one in at least a decade. This being an alt-country band (sort of) I figured a Tele would fit best; also, I've always wanted one- they look classy, they're simple and you can beat the shit out of them. Fortunately, the lead singer of the band had an old one out in his garage. It was a circa 1999 MIM, with a few dings for character, a warping pick guard, a missing volume knob, and the neck pickup hanging on only by the wires. Also, to top things off, at some point someone (I think a relative?) had scratched an "eye of Sauron" into into the face just back of the saddle with a pocket knife.  Obviously, it was the perfect guitar for me. Dave was willing to part with it for a very reasonable price all things considered, so I took it home and starting fixing it up.

I ordered a new black pickguard off Amazon for about 10 bucks to replace the dirty, scratched and buckling white one. While that was on the way I remounted the neck pickup; turns out the screws were a little stripped and had come out so the adjustment springs were down in the body chamber but it was an easy fix with some tiny splinter-shims. I also made a new volume knob out of a .45 Caliber bullet shell stuffed with cork.  It works alright (sort of too slick for quick volume changes mid-strum) but it looks badass, so it's good enough for now. The eye of Sauron remains scratched into the paint, and gives this guitar it's inevitable name, "The Necromancer," which is, of course, the nickname of Sauron in the Hobbit when he... oh never mind. The important thing is that it's set up fairly nicely, and sounds great.

The last decision I had to make before this guitar was ready to go was what string gauge to use. I've been playing acoustic guitar almost exclusively for about the last 20 years, and I mostly use medium gauge strings. This is probably why every time I pick up an electric I can't help but bend the shit out of every note, making whatever I'm playing sound really sharp. Also, one thing about Tele's is that they have a really nice punchy, twangy, slappy sound to them, but in my opinion the bridge pickup (at least mine) is pretty harsh sounding with anything but a high-end amp. My amp (which I'll get to in a post coming soon) ain't high end, so I figured I would see if I could darken up the tone with heavier gauge strings, and make it easier for me to play at the same time (more acoustic feeling, I guess.)  I strung it up with Beefy Slinky's by Ernie Ball, which colored the tone nicely and gave chording a nice heavy feel that was easier to really dig into without unwanted bends. Basically, I don't want to play lighter, I want my strings to accommodate my playing style. I quickly realized, however, that a lot of the riffs I was writing were requiring moderate bends on the D string and some pretty extensive bends on the G. So I started mixing in the D and G strings from the Ernie Ball Power Slinky's, which are a slightly lighter gauge, but still fairly heavy as far as electric strings go. Thus my string selection for the Tele is:

11   E
15   B
18p G  (switched from 22p)
28   D  (switched from 30)
42   A
54   E

So how does it sound? Some (read 'those who believe that price equals quality) might say that the fact that this is a Made in Mexico (MIM) Tele takes away from its ability to provide reliability, tone, etc; basically the differences are that the body on a MIM is Alder, not Ash, and that the fretboard is maple rather than rosewood. The pickups are some low end stock single coils. Supposedly this combination of cost saving measures kills the 'Tele tone' (the pickups and brighter sounding Alder body) and negatively effect playability (the maple fret board with poorly finished frets) and for that reason a lot of folks on the web are pretty anti.

To be honest, though, I don't give a shit. I've got vintage acoustic guitars with plywood bodies that sound fucking great. The neck is straight, worn in nicely, and the fret ends are smooth. The pickups in this guitar are Noiseless Tele single coils which were installed at some point to replace the stock ones and they sound really good. My favorite tone comes out of the neck pickup. Deep, dark, and hollow- it really howls with a good dose of overdrive and a touch of delay. For straight up, balanced tone the mid position (both pickups) sounds really nice- crisp and dark with just a hint of twang. Of course the bridge pickup  pure country goodness, especially with some compression and delay. Overall, no matter what pickup is selected, this guitar rocks harder than I was expecting. Our songs cover quite a range of tones, and it can do it all handily. I love the fact that I can go from a nice country sound to a low growl with a couple flips of the selector switch and a roll back on the tone knob. Add my new favorite pedal, the MXR Custom Badass '78 to that combo and faces begin to melt.

So do I stick with this awesome axe for all duties required of me as a lead guitar player? Hell no. Not when a sweet deal on a low end Gretsch Synchromatic comes along on Craigslist... but that's for the next post.